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“An’ was the pore little feller lookin’ fer Joner?” said Mrs. Wopp. She spoke pityingly, yet she could not avoid some slight feeling of satisfaction over this evident tribute to her powers of biblical narrative. It was on the first of these busy days in San Francisco that the big counterfeiter saw at a distance May Nell’s father; saw the child’s pictures posted in the galleries, hurried back to the “Ha’nt,” and planned the kidnapping as a chance for “getting even” with Mr. Smith, who had discharged him years before for dishonesty. But Billy had thwarted him, brought him safely to justice for all of his crimes. The band struck up and, intoxicated with the rhythm of the music, Moses skated as he had never done before. At first an object of amusement to the city boys he became the centre of an admiring throng. His spirals and figure eight’s were such as to call forth envious remarks. Even Clarence Egerton Crump thawed and admitted to several school mates that Moses Wopp was a pretty solid pal, only a bit gawky in his get-up..
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“She’s the swellest looking one in the whole school,” he whispered to his smiling mother. CHAPTER VII THE FIGHT The pianist took a long look at Nell who had been visibly affected by his playing. Misgivings that date back to Eden were leaping into life in his breast. He had been in love more times than he could count, but here was the girl after all. He began a Scherzo of his own composition. Youth gathering flowers at the open mouth of a volcano. The melody was born to live forever. He was a genius. Now Nell knew it and her soul worshipped genius. Howard Eliot was far from her thoughts as she listened to the enchanting chain of melodies that poured forth. CHAPTER VII.—THE LITTLE CHURCH IN THE COULEE..
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